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Fall In Instagram Story. Headline Instagram Story. Choose Low or High to produce different amounts of smoothing. Black represents transparent areas, white represents opaque areas, and gray represents partially transparent areas. The Remove Matte effect removes color fringes from clips that are premultiplied with a color. It is useful when combining alpha channels with fill textures from separate files.
If you import footage with a premultiplied alpha channel, or if you create alpha channels with After Effects, you may need to remove halos from an image. Halos are caused by a large contrast between the image's color and the background, or matte, color. Removing or changing the color of the matte can remove the halos. Use Background Color to specify the new background color when you want to change the color of a matte.
A new keyframe appears in the Effect Controls timeline when you move the handles in the Program Monitor or change the settings in the Effect Controls panel. The Track Matte Key reveals one clip background clip through another superimposed clip , using a third file as a matte that creates transparent areas in the superimposed clip.
This effect requires two clips and a matte, each placed on its own track. White areas in the matte are opaque in the superimposed clip, preventing underlying clips from showing through. Black areas in the matte are transparent, and gray areas are partially transparent. A matte containing motion is called a traveling matte or moving matte. This matte consists of either motion footage, such as a green-screen silhouette, or a still image matte that has been animated.
You can animate a still by applying the Motion effect to the matte. Insert the still image into another sequence, and superimpose the sequence containing the still image over the track containing the background clip. Note: If you need to add a new track to the sequence, drag the track matte clip to the empty area above the highest video track in a Timeline panel. A new track is created automatically. Note: To retain the original colors in the superimposed clip, use a grayscale image for the matte.
Any color in the matte removes the same level of color from the superimposed clip. Use the Title panel to create text or shapes grayscale only , save the title, and then import the file as your matte. The Track Matte Key effect creates transparent areas in a clip that correspond to the luminance levels of another clip. Transparent areas reveal the image produced by clips in lower tracks. You can use the Track Matte Key effect to blur and obscure faces, license plate numbers, or other identifying features.
Television programs use this effect to protect the identities of their subjects. To achieve a balance between sharpness of the image and hiding defects, try various combinations of radius and threshold settings. How far the effect searches for differences among pixels. High values make the image blurry. Use the smallest value that eliminates the defects. How different pixels can be from their neighbors without being changed by the effect.
Use the highest value that eliminates the defects. The Median effect replaces each pixel with a pixel that has the median color value of neighboring pixels with the specified Radius. At low Radius values, this effect is useful for reducing some types of noise.
At higher Radius values, this effect gives an image a painterly appearance. Use Color Noise to add random values to the red, green, and blue channels individually. Otherwise, the same random value is added to all channels for each pixel.
The type of noise. Unique Random creates equal amounts of black and white noise. Squared Random creates high-contrast noise. Uniform Animation creates animated noise, and Squared Animation creates animated high-contrast noise.
Produces noise only in partially transparent areas, such as the edge of the alpha channel. Values above and below 0 are wrapped back around into the range. For example, a value of wraps around to 2, a value of wraps around to 0, and a value of -3 wraps around to An input value to the random number generator for the noise. This control is active only if you choose Uniform Random or Squared Random. Tip : To produce flashing noise, animate the Random Seed control.
To create smoothly animated noise, animate the Noise Phase value. Specifies the placement of noise. This control is active only if you choose Uniform Animation or Squared Animation. Produces a cycle of noise that plays through once in the specified amount of time. Specifies the numbers of revolutions of the Noise Phase that the noise cycles through before it repeats available only if Cycle Noise is selected.
The Noise HLS effect generates static noise in clips that use still or moving source footage. Both effects offer various types of noise that can be added to the hue, saturation, or lightness of a clip. Controls for these effects are the same except for the final control that determines noise animation. Grain produces grain-like noise similar to film grain.
When you set keyframes for Noise Phase, the effect cycles through the phases to create animated noise. Greater value differences between keyframes increase the speed of the noise animation. The speed of the noise animation. To accelerate or decelerate the noise animation, animate this property. The Basic 3D effect manipulates a clip in 3D space. You can rotate an image around horizontal and vertical axes and move it toward or away from you.
With Basic 3D, you can also create a specular highlight to give the appearance of light reflecting off a rotated surface. The light source for the specular highlight is always above, behind, and to the left of the viewer. Because the light comes from above, the image must be tilted backward to see this reflection. Specular highlights can enhance the realism of the 3D appearance. Controls horizontal rotation rotation around a vertical axis. As the distance gets larger, the image recedes. Adds a glint of light that reflects off the surface of the rotated image, as though an overhead light were shining on the surface.
You must render a preview before the Specular Highlight effect becomes visible in the Program Monitor. Draws a wireframe outline of the 3D image. The wireframe outline renders quickly. To see your final results, deselect Draw Preview Wireframe when you finish manipulating the wireframe image. The Bevel Alpha effect adds a beveled edge and lights to the alpha boundaries of an image, often giving 2D elements a 3D appearance. If the clip has no alpha channel or if the clip is completely opaque, then the effect is applied to the edges of the clip.
The edge created by this effect is somewhat softer than that created by the Bevel Edges effect. This effect works well with text containing an alpha channel. The Bevel Edges effect gives a chiseled and lighted 3D appearance to the edges of an image. Edge locations are determined by the alpha channel of the source image.
All edges have the same thickness. The Drop Shadow effect adds a shadow that appears behind the clip. You can create a more realistic-looking shadow on animated clips by applying and animating the Motion or Basic 3D effect prior to applying Drop Shadow instead of animating the Fixed Motion effect because Fixed effects are rendered after Standard effects. The shadow is cast from the alpha channel of the source clip, allowing the color of that clip to influence the color of the shadow as light passes through semitransparent areas.
See the Render and Color Influence controls for more information. The distance from the clip to the surface on which the shadow falls. The shadow appears larger as this value increases. The more transparent the pixels in the clip are, the closer the shadow color matches the colors of the clip. If the clip contains no semitransparent pixels, Glass Edge has little result. Note : Anti-aliased edges produce colors in a shadow edge if you choose Glass Edge, even if the clip is fully opaque.
Creates a shadow based on the Shadow Color and Opacity values, regardless of semitransparent pixels in the clip. If Regular is chosen, the Color Influence control is disabled.
Creates a colored shadow based on the color and opacity of the clip. If the clip contains semitransparent pixels, the shadow uses both the color and transparency of the clip, creating the appearance, for example, of sun shining through stained glass. Decreasing the Color Influence value blends the colors of the clip in the shadow with the Shadow Color. Increasing Color Influence reduces the influence of the Shadow Color. The Alpha Glow effect adds color around the edges of a masked alpha channel.
You can have a single color either fade out or change to a second color as it moves away from the edge. Controls how far the color extends from the alpha channel edge. Higher settings produce larger glows and can cause very slow processing before playback or export.
The Brush Strokes effect applies a rough painted look to an image. You can also use this effect to achieve a pointillist style by setting the length of the brush strokes to 0 and increasing the stroke density. Although you specify the direction of strokes, they are scattered randomly by a small amount to give a more natural result. The direction in which the strokes are made. The image is effectively shifted in this direction, which may cause some clipping at the clip boundaries.
Creates nonuniform strokes. The more randomness, the more the strokes vary from the brush and stroke settings you specify. Causes only the strokes themselves to appear, leaving the clip transparent between the strokes. The Emboss effect sharpens the edges of objects in the image and suppresses colors.
The effect also highlights the edges from a specified angle. The apparent height of the embossing, in pixels. The Relief setting actually controls the maximum width of highlighted edges. The Find Edges effect identifies the areas of the image that have significant transitions and emphasizes the edges. Edges can appear as dark lines against a white background or colored lines against a black background.
If the Find Edges effect is applied, images often look like sketches or photographic negatives of the original. Inverts the image after the edges are found. When Invert is selected, edges appear as bright lines on a black background. The Mosaic effect fills a clip with solid-color rectangles, pixelating the original image. This effect is useful for simulating low-resolution displays and for obscuring faces. You can also animate it for a transition.
Gives each tile the color of the pixel in the center of the corresponding region in the original image. Otherwise, each tile is given the average color of the corresponding region in the original image.
The Posterize effect lets you specify the number of tonal levels or brightness values for each channel in an image. The Posterize effect then maps pixels to the closest matching level. For example, choosing two tonal levels in an RGB image gives you two tones for red, two tones for green, and two tones for blue. Values range from 2 to With Transcriptize, you can name the speakers; export a plain text file, suitable for the needs of a producer or to import into the Media Composer ScriptSync engine; or export an Excel spreadsheet with a variable number of words per row.
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